Brahms’s Intermezzo op. 119, no. 3 is structured around a motive with two components—one melodic, one harmonic—that operate sometimes separately and sometimes together. The global harmonic trajectory of the piece is embodied in the combination of these two components; local harmonic motion proceeds through an expanded LR-cycle, with periodic short cuts from one zone of the cycle to another. The A section unfolds a double-tonic complex while introducing chromatic pitch classes in a carefully planned order; the B section is densely chromatic, featuring interlocking transpositions of the harmonic component. Rhythmic transformations of the motive are also addressed, including a previously unnoted motivic connection with op. 119, no. 2.
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原文发布时间:2007/9/1
引用本文:
Adam Ricci.The Progress of a Motive in Brahms’s Intermezzo op. 119, no. 3.http://bsnc.firstlight.cn/View.aspx?infoid=915948&cb=fanshujingxg.
发布时间:2007/9/1.检索时间:2024/12/15