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A History of Opera in Boston     Opera  Boston       2014/10/20
This thesis examines the cultural context of opera in Boston between the years 1620 to 2010. Specifically, I look at how the Boston Opera Company was founded, its existence, and its ultimate demise. T...
The five books that currently comprise Wallflower Press's new Nonfictions series cover topics devoted to the development of documentary studies. Begun in 2007, this series endeavors to broaden theoret...
Stuart Hanson's chronicle of a cinema exhibition trade persistently held back by the conservatism, lack of foresight and limited adaptability of its major operators amounts to such a damning indictmen...
Robert Altman's Nashville (1975) has long been recognized as a masterpiece in its treatment of the spectacularization of American culture through an ostensible examination of the country music industr...
Pam Cook’s Screening the Past is essentially a collection of disparate articles that reflect aspects of her research interests from 1982 to the present day. However, the author has collated her work...
Etienne-Jean Delécluze (1781-1863), a former painter who had studied in David's workshop, was the art critic of the liberal newspaper Le Journal des débats from 1824 until his death. Nowadays, even mo...
For many French and American artists and art historians who came of age around the Second World War, Elie Faure's (1873–1937; fig. 1) Histoire de l'art (History of Art) was mandatory reading. Faure tr...
Capturing history, or interpreting it, has meant many things over the years, ranging from melodrama-driven accounts, to brutally realist narratives to absurdist ‘fragmented’, ‘non-stories’. This paper...
This paper is a close study of Gillo Pontecorvo's The Battle of Algiers and Queimada (Burn!) and Tomas Alea's Memories of Underdevelopment -- in particular, the ways in which these films explore the c...
Gerry Smyth, Noisy Island:A Short History of Irish Popular Music (2005)。
The Oxford History of Western Music (2005) is a scrutiny of the ‘literate tradition’ of music in European and North American culture from the beginnings of notation to the end of the twentieth century...
A glance at the table of contents of Music, Criticism, and the Challenge of History!aan introduction and epilogue framing two chapters each devoted to three pivotal figures, Eduard Hanslick, Guido ...
Academic film studies can be hostile territory to open declarations of love. Like a gentle breeze, Christian Keathley's new book, Cinephilia and History, or The Wind in the Trees, offers a refreshing ...
This article describes approaches to a ten-week, two-unit elective course (in the category of “Freshman Discovery Seminar”) offered at the University of California, Santa Cruz, during the winter q...
We come to music therapy with musical expectations. Clients do. Therapists do. We come to music therapy with expectations colored by our personal history of music, which is - of course - embedded in c...

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