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Review of William E. Caplin, Classical Form: A Theory of Formal Functions for the Instrumental Music of Haydn, Mozart, and Beethoven
analysis classical style Schoenberg Ratz Formenlehre
2010/3/29
Reviving the Formenlehre tradition as taught by Arnold Schoenberg and Erwin Ratz, Caplin attempts to accommodate the method to a specific but stylistically complex repertory: instrumental works of Hay...
In Praise of Contingency: The Powers and Limits of Theory
musicology social sciences Powers
2010/3/24
[1] Let me say at the outset how honored and delighted I am to be speaking with you today. When I first went on the job market in 1975, I advertised myself as both a musicologist and a theorist. Recei...
Anonymous I and Prologus in tonarium：Changing Interpretations of Music Theory in Eleventh-Century Germany
Music Theory Eleventh-Century Germany Changing Interpretations
2009/10/16
This article examines the relationship between Prologus in tonarium by Abbot Bern of Reichenau (d. 1048) and the eleventh-century music treatise known today as 'Anonymous I' (first published by Dom. M...
Bruckner's Symphonies and Sonata Deformation Theory
Symphonies Bruckner Sonata Deformation Theory
2009/10/16
Sonata deformation theory constitutes possibly the most substantial recent contribution to the analytical literature dealing with the sonata-type repertoire of the later nineteenth and early twentieth...
Norton Dudeque, Music Theory and Analysis in the Writings of Arnold Schoenberg (1874–1951) (2005)
Norton Dudeque Arnold Schoenberg Music Theory
2009/10/16
Norton Dudeque, Music Theory and Analysis in the Writings of Arnold Schoenberg (1874–1951) (2005)。
Analysis, Philosophy and the Challenge of Critical Theory：Michael Spitzer’s Music as Philosophy：Adorno and Beethoven’s Late Style
Michael Spitzer Philosophy Music
2009/10/16
Michael Spitzer’s Music as Philosophy: Adorno and Beethoven’s Late Style (Indiana University Press, 2006, ISBN 0-253-34724-6) pursues multiple lines of scholarly enquiry. As a musicological study, the...
Nicholas Cook, The Schenker Project. Culture, Race, and Music Theory in Fin-de-siècle Vienna (2007)
Fin-de-siècle Vienna Culture Race Music Theory
2009/10/16
!(R)Our principal and perhaps oly responsibility, I would argue, is to understand!afor
to understand is not to condone, while to condemn without understanding is futile!ˉ
(147). This sentence, alrea...
Henry Burnett and Roy Nitzberg, Composition, Chromaticism and the Developmental Process：A New Theory of Tonality (2007)
Henry Burnett Roy Nitzberg Chromaticism Tonality
2009/10/16
Henry Burnett and Roy Nitzberg, Composition, Chromaticism and the Developmental Process：A New Theory of Tonality (2007)。
“Teaching Blind”: Methods for Teaching Music Theory to Visually Impaired Students
Teaching Blind Teaching Music Visually Impaired Students
2010/3/24
Imagine this—it’s a week before the beginning of the school year and you’ve just been told that a blind student will be in your sophomore theory class. What do you do? In late August 2007, I found mys...
How Do You Hear That? Autism, Blindness, and Teaching Music Theory
Autism Blindness Teaching Music Theory
2010/3/24
[1] In the documentary film Touch The Sound, which examines Evelyn Glennie’s life as a deaf percussionist, Glennie remarks,
If someone asks me: ‘Oh well, how do you hear that?’ – then I simply say: ‘...
Characterizing Idiomatic Organization in Music: A Theory and Case Study of Musical Affordances
idiomaticism performance difficulty modeling Gebrauchmuzik
2010/9/26
A theory of idiomaticism is developed and illustrated using music for Bflat
valve trumpet. Physical measures were collected from two trumpet performers and
used to construct a computer model of the ...
Beyond This Point There Be Dragons Developing General Theory in Music Therapy
Music Therapy Dragons Developing General Theory
2008/11/11
There is a tale told about the old mapmakers. When they had reached the point beyond the map, the wise old captains would say: "Beyond this point there be dragons." Theories are like maps. With the co...
Sorry for the Silence: A Contribution From Feminist Theory to the Discourse(s) Within Music Therapy
Feminist Theory Music Therapy Feminist Perspective
2008/11/7
Feminism and music therapy have been little considered in the development of a theoretical framework or approach to our professional practice. This is curious given the impact of feminist approaches o...
One Size Fits All, or What is Music Therapy Theory For?
Music Therapy Theory music therapy practice music therapy
2008/11/7
In this writing I explore theory in music therapy opinion, discourse, research and practice. To this end, I define theory and examine factors impinging on music therapy theory and the exchange of info...
Music and Psyche Towards a Theory of Individual and Relational Psycho-sonorous Profiling
Music therapy, improvisation, sonorous profiles, psyche, evaluation
2008/11/5
The foundations of this project were based mainly on questions about music therapeutic clinical practice, a practice whose efficacy has been demonstrated and it's expanding every day through its innov...