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A Comparative Evaluation of Pitch Notations in Turkish Makam Music:Abjad Scale & 24-Tone Pythagorean Tuning – 53 Equal Division of the
Abjad scale Pythagorean tuning Arel-Ezgi-Uzdilek System 53 equal divisions of the octave Octave as a Common Grid
2008/10/30
In the Middle East, Abjad notation
has been available since the day of Al-Kindi
(9th century). However, Abjad was never used
except as a theoretical tool. A handful of extant
musical examples show...
Why must we provide a stage for the subject in musical analysis? For what reason must it be permissible for the subject to speak?
Common-tone Tonality in Italian Romantic Opera: An Introduction
Rossini Bellini Verdi Mozart opera tonal pairing directional tonality chromatic mediants sonorità mode Robert Bailey Pierluigi Petrobelli David Kopp Harold Powers
2010/3/24
Some compositional techniques usually associated with German Romantic music, such as tonal pairing and the frequent use of chromatic mediants, may have originated in Italian opera. These techniques ar...
Commentary on Cook & Fujisawa's "The Psychophysics of Harmony Perception: Harmony is a Three-Tone Phenomenon"
harmony psychoacoustics consonance dissonance perception
2010/9/26
Cook & Fujisawa (2006) point out that, contrary to the predictions of
psychoacoustic models, the diminished triad is more consonant and prevalent in
western tonal music than the augmented. A possibl...
The Psychophysics of Harmony Perception: Harmony is a Three-Tone Phenomenon
harmony psychophysics dissonance tension major mode minor mode
2010/9/26
In line with musical “common sense” (but contrary to the century-old
tradition of musical psychophysics), we show that harmony is an inherently three-tone
phenomenon. Previous attempts at explaining...