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The narrative of a fi lm is oft en cited as the driving force for viewers’ attention to and engagement in a fi lm. Th e narrative is also conceptually the most vivid for fi lm viewers; it is not oft e...
This paper will endeavour to examine some aspects of this heterogeneous initial situation, posing the question of “how history has been and how it is written” (Breisach 2004, 4). A discussion that has...
An ongoing debate in doctoral research in art and design is whether the submission of a thesis should be a necessary requirement, or whether it should be possible to submit practice work only for the ...
There is a very real need to argue for an expanded understanding of research methods and understandings of knowledge as they relate to areas of practice. This is particularly so for Design as it curre...
Khetrapal reviews the literature on music and autism and stresses the need for a greater focus on the cognitive and neural mechanisms underlying both autism and music perception. I build upon this r...
The work of Post and Huron (2009) is an example of how the received wisdom in musicology can be fruitfully challenged by simple empirical procedures – in this case demonstrating a counterintuitive, ...
Music therapy is shown to be an effective intervention for emotional recognition deficits in autism. However, researchers to date have yet to propose a model that accounts for the neurobiological an...
This paper describes music therapy within a community mental health setting for adults using a care programme approach in England. It describes the setting, and emphasises the importance of multidisci...
Many techniques in combinatorial mathematics have applications in music theory. Standard formulas for permutations and combinations may be used to enumerate melodies, rhythms, rows, pitch-class sets, ...
The relative consonance/dissonance of 2-tone intervals is well understood both experimentally and theoretically and provides a strong foundation for explaining why diatonic scales or their subsets a...

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