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Cinematic tradition suggests that Hollywood films, like plays, are di-vided into acts. Thompson (1999) streamlined the conception of this large-scale film structure by suggesting that most films are c...
Although the topoi and elements of what has been described as the “Venerable Style” (V.S.) are found in many places in Mozart’s solo keyboard sonatas, the obsessive juxtaposition of these elements aga...
In this thesis, I take the reader through the process and particular challenges of directing The House of Bernarda Alba, from choosing a translation, to casting from a pool of mostly undergraduate act...
The term yanık, a desired quality of music, is one of the most important aspects of Turkish response to music in terms of the perception of meaning. As a discourse of sentiment, yanık ...
[1] Despite its being published as part of a series devoted to musical meaning and interpretation, Peter Smith’s Expressive Forms in Brahms’s Instrumental Music: Structure and Meaning in His Werther Q...
[1] Conceptualizing Music attempts to explain musical understanding in the face of music's experiential ephemerality. This experience of music is illustrated at the beginning and end of the book by Ch...
This paper presents a detailed analytical discussion of Herma (1961) for solo piano by Iannis Xenakis. The model of the work as a set-theoretic demonstration, advanced in the writings of the composer,...
Miguel A. Roig-Francoli's recent article, "Harmonic and Formal Processes in Ligeti's Net-Structure Compositions," Music Theory Spectrum 17/2 (Fall, 1995) discusses three compositions by Gyorgy Ligeti ...

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