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To indicate our awareness of environmental issues today, it would be easy to compile a list of the organizations devoted to environmental education and activism or to draw attention to the words in ou...
In "Refining Fire: The Meaning and Use of Poetry" (1954), A.J.M. Smith writes: "No matter how subversive of human self-esteem, how disillusioned or bitter a poet's philosophical outlook may be, it is ...
True Poetry?     True Poetry  scholarly treatment       2014/1/20
The problems that plague this book begin with its title. For my purpose, however, it is convenient to start with the subtitle: Traditional and Popular Verse in Ontario. I had expected — surely with re...
The Future of Canadian Poetry     Canadian Poetry  Needless       2014/1/20
The results of the recent SSHRCC competition for Aid to Learned Journals have now been announced, and I have been informed that Canadian Poetry will not receive support. Needless to say, this decisio...
While Leonard Cohen's Beautiful Losers is widely seen as Canada's first postmodern novel (Hutcheon 14, 26-44; Bowering 136-37), the postmodern qualities of Cohen's poetry, and specifically Flowers for...
As anyone will know who has recently had reason to visit the web site of the English Department at the University of Western Ontario, Canadian Poetry is going online. Thanks to the concerted efforts a...
Gwendolyn MacEwen died on November 30, 1987, leaving many wondering why she had died "prematurely" or in an "untimely" way (Sullivan 1995; Potvin 1991). As her biographer Rosemary Sullivan discovered,...
Bolder Flights is one of the best of the invaluable "Reappraisals" volumes that the University of Ottawa produces from its annual conferences, in this case one held in 1996. A quick summary of the con...
The Saskatchewan poet, prairie poet Lorna Crozier tends to be thought of in two not-unrelated ways. On the one hand she is seen as the impertinent purveyor of "The Sex Lives of Vegetables" (The Garden...
Can recent Canadian poetry be in any useful sense described as ‘nature poetry’? How might we use this term in contemporary contexts, considering not only capital-N Nature in the wild but also urban na...
In her preface to Writing the Circle, Emma LaRocque asks "These are our voices—who will hear?" Perhaps the time has come when non-Natives will stop negating our identities and silencing our voices. Pe...
During the twenty-five years since its inception in 1977, Canadian Poetry: Studies, Documents, Reviews has incurred debts to a great many people. At the outset it drew sustenance from the wisdom and e...
In his essay "The Scotchman’s Return," Hugh MacLennan mentions the impression that comes over southern Canadians who venture north. Once they pass beyond the Canadian baseland, they quickly gain the i...
All readers of Canadian Poetry will be relieved and pleased to know that funding has been restored to the journal under the Research and Transfer Journals Program of the Social Sciences and Humanities...
Readers of Canadian exploration literature customarily think of Henry Kelsey's verse journal as the single, unremarkable poetic contribution to a genre dominated by narrative,3 and standard reference ...

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