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《摩诃婆罗多》：“百科全书式”的印度史诗
史诗
2007/12/24
《摩诃婆罗多》和《罗摩衍那》并称为印度两大史诗。中国早在5世纪初就已知道它们。鸠摩罗什(344—413)译《大庄严论经》卷五曰：“时聚落中多诸婆罗门，有亲近者为聚落主说《罗摩延书》，又《婆罗他书》，说阵战死者，命终生天。”但这两大史诗属于印度婆罗门教文化系统，也就没有进入中国历代佛教高僧的译经范围，其翻译任务就此延宕了一千多年。
上世纪8...
读许地山译印度民间故事
2007/12/14
关于地山先生与印度的因缘，笔者此前撰写过一篇论文《许地山的学术成就与印度文化的联系》[①]。其中重点谈了地山先生与佛教和印度文学的关系，也谈到地山先生对印度文学的译介。然而意犹未尽。
地山先生最主要的译著是三本书：《孟加拉民间故事》[②]、《二十夜问》[③]和《太阳底下降》[④]。这三书都是印度故事集，篇幅都不算大，但它们都是首次被介绍到中国来。所以，我们应当肯定先生的开创之功。
地山...
Kambaramayanam: A Comparative Study with the Original
Kambaramayanam A Comparative Study the Original
2010/9/29
A study, profound and penetrative, of the Kambaramayana will surely make the reader understand the genius of Kamban, ‘the Emperor of the Realm of Poesy’ of Tamilnadu. Some may be reluctant to subscrib...
Literature is a truthful expression of life through the medium of language. Its success lies in blending both art and morality in such a beautiful way that art, in the long run,becomes the thought. No...
. Learning one’s Language and another’s : A Perspective to Teaching English to Indian Learners
Language A Perspective Teaching English Indian Learners
2010/9/29
English is being learnt all over the world by individuals and by groups of individuals. Why they learn English, how they learn it, what English they learn will naturally differ. The why(s) will decide...
The Poetry of Sri Aurobindo: The Mantra of The Real
The Poetry Sri Aurobindo The Mantra of The Real
2010/9/29
Sri Aurobindo has been a spiritual force not only in India but also wherever the thirst for spiritual quest is felt. He defines poetry as ‘The Manta of the Real’. Essentially a visionary and a spiritu...
The Process of Poetic Creation in the poetry of Sri.Aurobindo and Shelley
The Process of Poetic Creation the poetry of Sri.Aurobindo Shelley
2010/9/29
If poetry is the revelation of an inspired moment, the poet is only a medium of such a revelation. A Swiss critic Breitnger affirms that “the poet through the power of his inspiration creates entirely...
When one thinks of Indian English Literature, one cannot but think of the complexity and difficulty in choosing a name for it. The following names been given with different interpretations suggesting ...
Sanskrit rhetoricians distinguish Kavya into two kinds: Drsya (that which can be seen) and Sravya (that which can be heard). In drama, Drsya takes a predominance over Sravya. It is because of its capa...