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河北省文学艺术界联合会成立60周年庆祝大会举行
河北省文学艺术界联合会 60周年 庆祝大会
2010/1/6
2009年12月21日，“与新中国同行——河北省文学艺术界联合会成立６０周年庆祝大会”在河北石家庄举行。河北省委书记、省人大常委会主任张云川，省委副书记、代省长陈全国发来贺信。中国文联党组成员、书记处书记廖奔，河北省委常委、宣传部部长聂辰席，省人大常委会副主任马兰翠，副省长孙士彬，省政协副主席王玉梅，省委宣传部常务副部长杨永山、副部长王景武，省文联主席裴艳玲、党组书记赵景之，省作协党组书记相金科，...
"Pictures made of wool": The Gender of Labor at the Bauhaus Weaving Workshop (1919-23)
Pictures made of wool The Gender of Labor the Bauhaus Weaving Workshop
2009/11/27
In 1926, one year after the Bauhaus had moved to Dessau, the weaving workshop master Gunta Stölzl dismissed the earlier, Weimar period textiles, such as Hedwig Jungnik’s wall hanging from 1922, a...
The Inside is the Outside: The Relational as the (Feminine) Space of the Radical
The Inside is the Outside The Relational the (Feminine) Space of the Radical
2009/11/27
It may seem precursory to begin my essay with an image that has been haunting me since September 11, but in a concise way it prefigures many issues I will write about. It is an image of a work by the ...
Inventing Wifredo Lam: The Parisian Avant-Garde's Primitivist Fixation
Inventing Wifredo Lam The Parisian Avant-Garde's Primitivist Fixation
2009/11/27
Wifredo Lam arrived in France in the late 1930s, a time of increasing political and social turmoil. In this period of national insecurity, race served as a visible determinant of the other. The French...
Plurality in Place:Activating Public Spheres and Public Spaces in Seattle
Plurality in Place Public Spheres Public Spaces Seattle
2009/11/27
Design journal editors have also challenged design professionals to ask themselves whether they want such public attention to be measured as public opinion (as nothing more than a popularity contest:...
Canine Citizenship and the Intimate Public Sphere
Canine Citizenship the Intimate Public Sphere
2009/11/27
This essay is a speculative inquiry into the possibilities and problems of canine citizenship. Informed by a cross section of contemporary images of and relations to dogs in the United States, it asks...
Appetite for Destruction:Public Iconography and the Artificial Ruins of SITE, Inc.
Destruction Public Iconography the Artificial Ruins of SITE, Inc
2009/11/27
Beginning in the early seventies, the artists and architects of SITE, Inc. staged a series of interventions into the everyday American practice of shopping that confronted some of the most crucial iss...
We all have an appetite for seeing, an appétit de l'oeuil as Lacan explains it: it is through our eyes that we ingest the Other, the world.1 And in this sense, what better way to introduce a film on a...
A Thread of Knots: Jacques Derrida’s Homage to Emmanuel Levinas’ Ethical Reminder
A Thread of Knots Jacques Derrida’s Homage Emmanuel Levinas’ Ethical Reminder
2009/11/27
The metaphor of the knotted thread is not a mere metaphor in Derrida’s homage to the work of Emmanuel Levinas. His own essay, “At this very moment in this work here I am,” is itself structured as a th...
中国当代艺术史如何体现自身的价值诉求？
价值诉求 自身 当代艺术史
2009/11/24
何为当代艺术？一般而言，“当代”一词具有时间上的指向性，即可以将“当代”理解为当下的、目前的，以此与“过去的”、“传统的”相对。按此理解，所有当下创作的作品都可以称作当代艺术。然而，从美学和文化学的意义上切入，“当代艺术”则有双重的意义维度。譬如，在西方艺术史的情景中，反现代艺术的美学特征是当代艺术出现的先决条件：其一是反对现代主义的精英主义观念和既定的艺术表现方法，追求不断的创新和反叛，崇尚原创...
中国现当代艺术史写作的价值判断问题
价值判断 写作 现当代艺术史
2009/11/24
当代艺术史的修正与重写也提出了一个古老的问题，即对历史的检验。古代史最无法改变的事情是古代史完全讲述过去的事情，所谓死无对证，臆造和杜撰也无法确认。当代史却可以被直接检验，因为当事人都还在，但当代艺术史写作的困难恰在于此：即便是艺术家们本人提供的资料也不是完全可信的，尤其是艺术运动，当事人之间会因角度的不同而产生对事实有误差的看法和回忆，史学家需要更为谨慎地、批判地处理这些材料，所以艺术家对当代艺...
王琦瑶-城市的代言人
女性 城市 时尚 务实
2009/11/20
《长恨歌》通过描绘上海女性王琦瑶的一生，展现了上海这座城市独特的都市景观和时代变迁中的精神内涵，见证了上海的悲欢与成长。
对当下艺术媒体和艺术机构的问题认识
认识 艺术机构 艺术媒体
2009/11/9
在时下流行的艺术媒体分类方法中，大都会将其分为公众媒体和专业媒体两类。前者也称为大众传播，指以运用先进的传播技术和产业化手段，以社会上一般大众为对象而进行的大规模的艺术信息生产和传播活动；后者则将传播对象范围缩小，以艺术圈内人士为主要传播人群，如《美术观察》、《美术报》等专业报刊杂志。专业媒体和公众媒体对于“学术领先”和“市场为王”的争论已持续多年，但不容否认的一个事实是，改革开放30年来，我们的...
对平面美术媒体的思考
美术批评 平面美术媒体
2009/11/9
2008年以来，人们突然又注意起了平面美术媒体，我的注意一开始是被动的——2008年后突然发现，几乎每次去学校取信都会看到报箱里有各种杂志寄来，用雪片般袭来的形容词并不为过。仔细看实际上这其中有些杂志在2008年前就创刊，不过并没有给以太多关注，当08年它们接踵而至时就让人不得不重视了。