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Embodied Subjectivities in the Lyrical and Musical Expression of PJ Harvey and Björk
Popular Music analysis subjectivity embodiment PJ Harvey Bjö rk
2010/3/24
Alternative female artists PJ Harvey and Björk negotiate themes of embodied female subjectivity not only as cultural concepts, but also as musical forms; their lyrical themes are crafted within a...
Facial Expression and Vocal Pitch Height: Evidence of an Intermodal Association
pitch height facial expression aggression intermodal perception
2010/9/26
Forty-four participants were asked to sing moderate, high, and low
pitches while their faces were photographed. In a two-alternative forced choice task,
independent judges selected the high-pitch fa...
Locating the Autonomous Voice: Self-Expression in Music-Centered Music Therapy
Autonomous Voice Self-Expression Music-Centere Music Therapy
2008/11/5
It is a common, perhaps self-evident notion that people express themselves when they are engaged in musical activity. However, there seems to be little music therapy literature that deals explicitly w...
Feeling the Style: Vocal Gesture and Musical Expression in Billie Holiday, Bessie Smith, and Louis Armstrong
Vocal Gesture Musical Expression
2010/3/25
As Billie Holiday described her unique brand of vocal expression, she claimed that she wanted the "style" of Louis Armstrong and the "feeling" of Bessie Smith. These aesthetic and expressive goals can...