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Review of William E. Caplin, Classical Form: A Theory of Formal Functions for the Instrumental Music of Haydn, Mozart, and Beethoven
analysis classical style Schoenberg Ratz Formenlehre
2010/3/29
Reviving the Formenlehre tradition as taught by Arnold Schoenberg and Erwin Ratz, Caplin attempts to accommodate the method to a specific but stylistically complex repertory: instrumental works of Hay...
In Praise of Contingency: The Powers and Limits of Theory
musicology social sciences Powers
2010/3/24
[1] Let me say at the outset how honored and delighted I am to be speaking with you today. When I first went on the job market in 1975, I advertised myself as both a musicologist and a theorist. Recei...
Lee Edelman's new book is not principally a work of film studies. Nonetheless, there are several reasons why this brilliantly argued and overtly polemical book should be brought to the attention of th...
Using chronophotography to replace Persistence of Vision as a theory for explaining how animation and cinema produce the illusion of continuous motion
chronophotography Persistence of Vision animation and cinema the illusion of continuous motion
2009/11/27
Chronophotography was developed, at the end of the nineteenth century by Marey, Demenÿ and later Gilbreth and used as a tool for investigating movement. At the beginning of the twentieth century ...
Animation (Theory) as the Poematic: A Reply to the Cognitivists
Animation (Theory) the Poematic the Cognitivists
2009/11/27
This essay has two projects.The first is intrinsic to the very question of what constitutes legitimate scholarly inquiry in the study of film and of animation, marking out something ostensibly especia...
Seeing Ecology and Seeing as Ecology:On Brereton’s Hollywood Utopia and the Andersons’ Moving Image Theory
Brereton’s Hollywood Utopia Andersons’ Moving Image Theory
2009/11/25
Brereton’s Hollywood Utopia and the Andersons’ edited volume, Moving Image Theory,
both revolve around conceptions of ecology. Although they both start with this concept
as central, each utilises it...
Towards a Theory of Film Worlds
Theory Film Worlds
2009/11/24
Film critics and theorists often refer to the ‘worlds’ that films create, present, or embody,
e.g. the world of Eraserhead (David Lynch, 1977) or the world in Fanny and Alexander
(Ingmar Bergman, 19...
Victorian values: the roles of reception theory in the construction of taste in the context of regeneration practice
Victorian values reception theory
2009/11/20
The Museum as the context for the 'correct' interpretation of the artefact poses unique problems for the researcher and for the visitor. Every museum has its own particular approach to the curation of...
The practical implications of applying a theory of practice based research: a case study
theory research a case study
2009/11/20
Scrivener (2002) argues that the proper goal of visual arts research is visual art, and that visual arts research should be conceived as being concerned not with original investigation undertaken in o...
Since the PhD was established in art, craft and design subjects, there has been a growing discourse questioning theory and its relationship, relevance and importance to practice. This debate has tende...
Anonymous I and Prologus in tonarium：Changing Interpretations of Music Theory in Eleventh-Century Germany
Music Theory Eleventh-Century Germany Changing Interpretations
2009/10/16
This article examines the relationship between Prologus in tonarium by Abbot Bern of Reichenau (d. 1048) and the eleventh-century music treatise known today as 'Anonymous I' (first published by Dom. M...
Bruckner's Symphonies and Sonata Deformation Theory
Symphonies Bruckner Sonata Deformation Theory
2009/10/16
Sonata deformation theory constitutes possibly the most substantial recent contribution to the analytical literature dealing with the sonata-type repertoire of the later nineteenth and early twentieth...
Norton Dudeque, Music Theory and Analysis in the Writings of Arnold Schoenberg (1874–1951) (2005)
Norton Dudeque Arnold Schoenberg Music Theory
2009/10/16
Norton Dudeque, Music Theory and Analysis in the Writings of Arnold Schoenberg (1874–1951) (2005)。
Analysis, Philosophy and the Challenge of Critical Theory：Michael Spitzer’s Music as Philosophy：Adorno and Beethoven’s Late Style
Michael Spitzer Philosophy Music
2009/10/16
Michael Spitzer’s Music as Philosophy: Adorno and Beethoven’s Late Style (Indiana University Press, 2006, ISBN 0-253-34724-6) pursues multiple lines of scholarly enquiry. As a musicological study, the...
Nicholas Cook, The Schenker Project. Culture, Race, and Music Theory in Fin-de-siècle Vienna (2007)
Fin-de-siècle Vienna Culture Race Music Theory
2009/10/16
!(R)Our principal and perhaps oly responsibility, I would argue, is to understand!afor
to understand is not to condone, while to condemn without understanding is futile!ˉ
(147). This sentence, alrea...