搜索结果: 1-11 共查到“艺术学 Improvisation”相关记录11条 . 查询时间(0.109 秒)
Ficino's Musica Humana: Musico-Astrological Improvisation
Ficino's Musica Humana Musico-Astrological Improvisation
2014/10/20
The improvvisatore tradition in Florence Italy during the second half of the quattrocento featured poet-musicians who sang poetry for music (poesia per musica) accompanied by the lira (da braccio). Th...
Personal Experiences of Non-verbal Communication Through Musical Dialogue (Clinical Improvisation)
Personal Experiences Non-verbal Communication Musical Dialogue Clinical Improvisation
2008/11/5
Stepping into My Music Therapy Journey Abroad
My journey into music therapy began in Canada where English is one of official languages; the other one is French. As a non-English speaker, I frequently...
Musical Archetypes and Collective Consciousness: Cognitive Distribution and Free Improvisation
Musical Archetypes Collective Consciousness Cognitive Distribution Free Improvisation
2008/10/29
This paper investigates free improvisation from the perspectives offered by cognitive distribution theories as pioneered by Vygotsky, Wundt, and Mead. Using a hypothetical 'script' of an improvised pe...
Modes and Manifestations of Improvisation in Urban Planning, Design, and Theory
Improvisation Urban Planning Urban Design Urban Theory
2008/10/29
The enterprise of musical improvisation is examined as a fruitful source of approaches to urban planning, design, and theory. When musicians improvise, they cooperate and take risks in ways that recom...
Asian/American Improvisation in Chicago: Tatsu Aoki and the ‘New’ Japanese American Taiko
American Improvisation Japanese American Taiko Tatsu Aoki
2008/10/28
In this essay, I look at Aoki’s recent work in order to consider the place of the Asian/American in the world of American improvisation and public presentation. Aoki’s long-term involvement in the (As...
Deconstructin(g) Jazz Improvisation: Derrida and the Law of the Singular Event
Deconstructin(g) Jazz Improvisation jazz-text collaboration
2008/10/28
Taking as its point of departure the improvised jazz-text collaboration between Ornette Coleman and Jacques Derrida at the 1997 Paris La Villette jazz festival, this article critiques the dominant pos...
Drawing on qualitative analytic studies of improvising musicians this paper discusses ways in which the construction and representation of self-identity can be observed in improvisational practice. Fo...
“I Feel My True Colors Began to Show.” Designing and Teaching a Course on Improvisation
Improvisation pedagogical considerations
2008/10/28
This article discusses my design and teaching of an interdisciplinary, multi-style course "Improvisation in Music". It discusses fundamental considerations on improvisation and a variety of pedagogica...
The Pedagogical Imperative of Musical Improvisation
Pedagogical Imperative Musical Improvisation
2008/10/28
This essay responds to the twinned questions, "How do musicians learn to improvise?" and "What skills are they learning as they are doing so?" The pedagogical theory that is the outcome essentially re...
The “Finite” Art of Improvisation: Pedagogy and Power in Jazz Education
Improvisation Jazz Education
2008/10/27
Jacques Attali writes that music can serve to “invent categories and dynamics and regenerate social theory” through improvisational practice. Yet the performance practices of which he writes are those...
Post-Tonal Improvisation in the Aural Skills Classroom
ear training pedagogy twentieth-century music post-tonal music improvisation
2010/3/29
This paper presents an improvisation-based approach for teaching students to hear and understand aspects of twentieth-century music. The improvisation exercises are based on concepts taken from eight ...