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Functional grounding inside the phonology: Evidence from positional augmentation
phonology Functional grounding Evidence
2014/4/25
Positional augmentation constraints (markedness constraints on
prominent positions) are restricted by functional factors
The functional restrictions on these constraints cannot all be reanalyzed
a...
This paper describes the creative and critical contexts that inform the interpretation of artifacts created during art practice, which are contextualized and interpreted as evidence for some phenomeno...
Designing as a competence: design process as the result of a“learning by interacting” practice. Evidence from Italy
competence design process “learning by interacting”
2009/11/20
This paper will try to demonstrate that the presence in Italian system of design of both types of individual and collective learning (learning by doing and learning by using) generates a knowledge cre...
Facial Expression and Vocal Pitch Height: Evidence of an Intermodal Association
pitch height facial expression aggression intermodal perception
2010/9/26
Forty-four participants were asked to sing moderate, high, and low
pitches while their faces were photographed. In a two-alternative forced choice task,
independent judges selected the high-pitch fa...
Dialogic Evidence:Documentation of Ephemeral Events
performance documentation Ephemeral Events Dialogic Evidence
2009/7/15
Performance and documentation have long been characterised as oppositional practices, separated by competing voices which argue the virtues of disappearance and reproducibility. In response to this st...
Can Music Therapists Synergise With Medical Practitioners to Make Music Therapy Evidence-based?
Music Therapists Music Therapy Evidence-based? Medical Practitioners
2008/11/6
In July Voices published Sumathy Sundar's first interview, the results of her discussion with Dr Sairam, a specialist in alternative medicine and a researcher into the therapeutic use of Indian ragas....
Chromaticisms or Performance Rules?Evidence from Traditional Singing
Chromaticisms performance rules traditional singing
2008/10/30
Background in ethnomusicology. Chromaticisms in folk tunes are quite frequently discussed
in ethnomusicological studies, especially in Eastern Europe. For instance, chromaticisms are
abundant in the...
A Comparison of Average Pitch Height and Interval Size in Major- and Minor-key Themes: Evidence Consistent with Affect-related Pitch Prosody
music minor key sadness pitch speech prosody
2010/9/26
An analysis of 9,788 instrumental themes shows that minor-key themes are, on average, slightly lower in pitch than major-key themes. The lower pitch is not merely an artifact of structural differences...
A Cognitive Approach to Medieval Mode: Evidence for an Historical Antecedent to the Major/Minor System
mode chant tonality cluster analysis multidimensional scaling
2010/9/26
A random sample of 98 Gregorian chants was used to assemble “mode
profiles”—pitch-class distributions for each of eight medieval modes in the manner of
Krumhansl’s and Kessler’s (1982) key profiles....