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Anonymous I and Prologus in tonarium：Changing Interpretations of Music Theory in Eleventh-Century Germany
Music Theory Eleventh-Century Germany Changing Interpretations
2009/10/16
This article examines the relationship between Prologus in tonarium by Abbot Bern of Reichenau (d. 1048) and the eleventh-century music treatise known today as 'Anonymous I' (first published by Dom. M...
Norton Dudeque, Music Theory and Analysis in the Writings of Arnold Schoenberg (1874–1951) (2005)
Norton Dudeque Arnold Schoenberg Music Theory
2009/10/16
Norton Dudeque, Music Theory and Analysis in the Writings of Arnold Schoenberg (1874–1951) (2005)。
Nicholas Cook, The Schenker Project. Culture, Race, and Music Theory in Fin-de-siècle Vienna (2007)
Fin-de-siècle Vienna Culture Race Music Theory
2009/10/16
!(R)Our principal and perhaps oly responsibility, I would argue, is to understand!afor
to understand is not to condone, while to condemn without understanding is futile!ˉ
(147). This sentence, alrea...
“Teaching Blind”: Methods for Teaching Music Theory to Visually Impaired Students
Teaching Blind Teaching Music Visually Impaired Students
2010/3/24
Imagine this—it’s a week before the beginning of the school year and you’ve just been told that a blind student will be in your sophomore theory class. What do you do? In late August 2007, I found mys...
How Do You Hear That? Autism, Blindness, and Teaching Music Theory
Autism Blindness Teaching Music Theory
2010/3/24
[1] In the documentary film Touch The Sound, which examines Evelyn Glennie’s life as a deaf percussionist, Glennie remarks,
If someone asks me: ‘Oh well, how do you hear that?’ – then I simply say: ‘...
Report on the 2008 Mannes Institute for Advanced Studies in Music Theory: Jazz Meets Pop
Music Theory Jazz Meets Pop
2010/3/24
Henry Martin – Introduction
[1] The 2008 Mannes Institute for Advanced Studies in Music Theory: Jazz Meets Pop took place at the Eastman School of Music, June 15 to June 18, 2008, in Rochester, New Y...
Why Are There Twenty-Nine Tetrachords? A Tutorial on Combinatorics and Enumeration in Music Theory
combinatorics enumeration permutations combinations Pólya pitch-class sets set classes twelve-tone rows
2010/3/24
Many techniques in combinatorial mathematics have applications in music theory. Standard formulas for permutations and combinations may be used to enumerate melodies, rhythms, rows, pitch-class sets, ...
[1] The Spring 1987 issue of the Journal of Music Theory included an article by Joseph N. Straus entitled “The Problem of Prolongation in Post-Tonal Music.” Straus’s article sought to address the atte...
Music Theory and Historical Awareness
Music theory historical awareness disciplinarity Shostakovich
2010/3/29
After clearly defining their respective turfs about twenty-five years ago, American music theory and musicology have more recently drawn somewhat more closely together. The paper seeks to place this t...
Lessons from the Past: Music Theory Pedagogy and the Future
pedagogy counterpoint figured bass harmony voice leading aural skills computer-assisted instruction curriculum design
2010/3/29
As we music theorists chart our course into the next century, we can learn many lessons from the past--lessons about teaching and learning music that can inform and inspire our work as pedagogues and ...
Four Swedish Dissertations in Music Theory
Musicology in Sweden Mozart Algorithmic composing Ingvar Lidholm twelve-tone music Bo Nilsson serialism Debussy tonality confusion
2010/3/29
[1] There is a lot of interesting musicological work going on in Sweden. The program of the conference "Musicology Today," arranged by the Swedish Society for Musicology in June 1999 in Falun, gives a...
Review of Music-Theory Web Sites for the Beginner
WWW review beginner music theory music Web site
2010/3/29
[1] Since the advent of the personal computer in the late 1970's and early 80's, music theory instruction has been at the forefront of technology, using a wide variety of CAI (computer aided instructi...
Metaphor and Music Theory: Reflections from Cognitive Science
metaphor cognitive science analysis Nicholas Cook
2010/4/21
A recent discussion on the smt-list focused on Nicholas Cook's claim in Music, Imagination, and Culture that musical analysis is essentially metaphorical. This essay investigates this claim through a ...
[1] My paper is about pedagogy. At first I take a relatively traditional view of the term: I will be addressing how we teach our students. Later I shall view pedagogy in broader terms, by discussing h...
Music Theory as Community: A Perspective from the Late '90's
music theory Society for Music Theory community
2010/4/21
The paper views the Society for Music Theory as a community: both how it functions internally, and how it relates to other musical and scholarly communities. It adopts these reflections as the basis f...